Whose Monet

Whose Monet  PDF
Author: John A. Humbach
Publisher: Aspen Law & Business
ISBN:
Size: 54.19 MB
Format: PDF, Kindle
Category : Law
Languages : en
Pages : 232
View: 4410

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This extraordinary paperback provides a highly accessible and appealing orientation to the American legal system and presents basic concepts of civil litigation to first-year law students. Whose Monet? An Introduction to the American Legal System focuses on a lengthy dispute over the ownership of a painting as a vehicle for introducing students to the basic law school tasks of reading analytically, understanding legal materials, and working with the common law. The author and his colleagues have used these materials successfully in their classrooms for many years, ensuring their teachability and effectiveness: Whose Monet? can be used as primary course material in orientation courses or seminars, as well as collateral reading for in-semester Legal Process or Civil Procedure courses The organization is logical and straightforward and the accessible writing style--lucid, descriptive, and conversational--is ideal for incoming students The major events in a lawsuit are considered, and the text sheds light on how the law is applied in a civil dispute, introducing common law and statutory law and the various courts and their interrelationship (trial/appellate, state/federal) The author draws on judicial opinions, litigation papers, transcripts, and selections from commentators and various jurisprudential sources, thereby exposing the first-year student to as broad a spectrum of materials as possible Telling the story of a real lawsuit (DeWeerth v. Baldinger)--from client intake through trial and various appeals--draws students into the legal process by means of an engaging narrative and makes for a truly enjoying teaching experience for professors The lawyer's role is examined in both its functional and moral dimensions: What do lawyers do? What does society legitimately expect lawyers to do? This book is suitable for both classroom and stand-alone assigned reading Professor Humbach, with over 30 years of experience teaching and writing articles and instruction programs for first-year property students, includes a separate Teacher's Manual. Drawing upon his own classroom experience with these materials, he: suggests "learning objectives" for each chapter offers different teaching approaches provides answers to questions in the book suggests sample syllabi

Who Owns The Past

Who Owns the Past  PDF
Author: Kate Fitz Gibbon
Publisher: Rutgers University Press
ISBN: 9780813536873
Size: 27.69 MB
Format: PDF, Mobi
Category : Social Science
Languages : en
Pages : 362
View: 5660

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The Man She Married

The Man She Married PDF
Author: Cathy Lamb
Publisher: Kensington Books
ISBN: 1496709845
Size: 66.18 MB
Format: PDF
Category : Fiction
Languages : en
Pages : 480
View: 4398

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In Cathy Lamb’s gripping and thought-provoking novel, a woman whose memory is shattered must piece together her husband’s secrets—and reevaluate her life, love, and relationships . . . When Natalie Shelton thinks back to how things were before the car accident, she remembers a great marriage. She and her husband, Zack, seem as strong and dependable together as the houses he builds. They live in Portland, Oregon, and Natalie is co-owner of a successful accounting firm. They’re happy, she’s almost sure of it. Yet as Natalie lies trapped in a coma, unable to communicate though aware of everything around her, she realizes that her husband is hiding something. Zack has always been reticent about his past, which she attributed to an unhappy childhood. Now the strange calls he’s receiving, the apologies when he thinks she can’t hear him, and her fragmented memories from the morning of the accident suggest a deeper secret. When she finally awakens, Natalie is determined to find out the truth. Sorting through clues as her brain heals, she realizes she has a rare opportunity—to reexamine the life she’s made and the man she’s made it with. But as answers come to light, she faces surprising, heartrending decisions, as well as a danger that could upend her world once again, as Zack’s past finally catches up with them . . .

The Rough Guide To Europe 2004

The Rough Guide to Europe 2004 PDF
Author: Rough Guides (Firm)
Publisher: Rough Guides
ISBN: 9781843531081
Size: 40.76 MB
Format: PDF, Mobi
Category : Travel
Languages : en
Pages : 1040
View: 4519

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European authors bring travelers the hidden highlights others miss, including the best values across the continent and insights into Europe's cultural, political, and contemporary life. of color photos. 103 maps.

Visual Arts And The Law

Visual Arts and the Law PDF
Author: Ms Judith B Prowda
Publisher: Ashgate Publishing, Ltd.
ISBN: 1848221320
Size: 69.32 MB
Format: PDF, Docs
Category : Art
Languages : en
Pages : 280
View: 5671

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This essential handbook offers art professionals and collectors an accessible legal analysis of important principles in art law, as well as a practical guide to legal rights when creating, buying, selling and collecting art in a global market. Although the book is international in scope, there is a particular focus on the US as a major art centre and the site of countless key international court cases. This authoritative but accessible and wide-ranging volume is essential reading for arts advisors, collectors, dealers, auction houses, museums, investors, artists, attorneys and students of art and law.

Art In America

Art in America PDF
Author:
Publisher:
ISBN:
Size: 45.23 MB
Format: PDF, ePub, Mobi
Category : Art
Languages : en
Pages :
View: 2794

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Claude Monet

Claude Monet PDF
Author: Ann Temkin
Publisher: The Museum of Modern Art
ISBN: 9780870707742
Size: 45.65 MB
Format: PDF, ePub, Mobi
Category : Art
Languages : en
Pages : 50
View: 2098

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including the destruction of two works in a fire in 1958 - and underscores the resonance of these paintings with the art and artists of the last half-century." --Book Jacket.

Impressionism

Impressionism PDF
Author: Marc Saul Gerstein
Publisher:
ISBN:
Size: 53.85 MB
Format: PDF, ePub, Mobi
Category : Art
Languages : en
Pages : 202
View: 3075

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Five American art museums have collaborated to produce an overview of their combined collections of Impressionist art

The Rough Guide To Europe

The Rough Guide to Europe PDF
Author: Rough Guides
Publisher:
ISBN: 9781858285726
Size: 33.75 MB
Format: PDF, ePub, Docs
Category : Europe
Languages : en
Pages : 1370
View: 7272

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European authors bring travelers the hidden highlights others miss, including the best values across the continent and insights into Europe's cultural, political, and contemporary life. of color photos. 103 maps.

The Rough Guide To Europe

The Rough Guide to Europe PDF
Author: Lucy Ratcliffe
Publisher:
ISBN: 9781858287379
Size: 23.36 MB
Format: PDF, Docs
Category : Travel
Languages : en
Pages : 1398
View: 2030

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Offers advice on planning a trip to Europe, discusses the history and culture of the region, and recommends hotels, restaurants, tourist attractions, and nightspots.

Rough Guide To Europe

Rough guide to Europe PDF
Author: Rough Guides
Publisher: Rough Guides Limited
ISBN: 9781858289144
Size: 42.84 MB
Format: PDF, Kindle
Category : Travel
Languages : en
Pages : 1153
View: 1633

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European authors bring travelers the hidden highlights others miss, including the best values across the continent and insights into Europe's cultural, political, and contemporary life. of color photos. 103 maps.

Monet

Monet PDF
Author: Rodolphe Rapetti
Publisher: Gramercy
ISBN: 9780517025550
Size: 26.16 MB
Format: PDF, Mobi
Category : Impressionism (Art)
Languages : en
Pages : 98
View: 2935

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A profile of the French artist discusses his paintings and provides critical insights into his aesthetic vision

Monet

Monet PDF
Author: Nathalia Brodskaya
Publisher: Parkstone International
ISBN: 1781605904
Size: 77.78 MB
Format: PDF, Docs
Category : Art
Languages : en
Pages : 103
View: 6952

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For Claude Monet the designation ‘impressionist’ always remained a source of pride. In spite of all the things critics have written about his work, Monet continued to be a true impressionist to the end of his very long life. He was so by deep conviction, and for his Impressionism he may have sacrificed many other opportunities that his enormous talent held out to him. Monet did not paint classical compositions with figures, and he did not become a portraitist, although his professional training included those skills. He chose a single genre for himself, landscape painting, and in that he achieved a degree of perfection none of his contemporaries managed to attain. Yet the little boy began by drawing caricatures. Boudin advised Monet to stop doing caricatures and to take up landscapes instead. The sea, the sky, animals, people, and trees are beautiful in the exact state in which nature created them – surrounded by air and light. Indeed, it was Boudin who passed on to Monet his conviction of the importance of working in the open air, which Monet would in turn transmit to his impressionist friends. Monet did not want to enrol at the Ecole des Beaux-Arts. He chose to attend a private school, L’Académie Suisse, established by an ex-model on the Quai d’Orfèvres near the Pont Saint-Michel. One could draw and paint from a live model there for a modest fee. This was where Monet met the future impressionist Camille Pissarro. Later in Gleyre’s studio, Monet met Auguste Renoir Alfred Sisley, and Frédéric Bazille. Monet considered it very important that Boudin be introduced to his new friends. He also told his friends of another painter he had found in Normandy. This was the remarkable Dutchman Jongkind. His landscapes were saturated with colour, and their sincerity, at times even their naïveté, was combined with subtle observation of the Normandy shore’s variable nature. At this time Monet’s landscapes were not yet characterized by great richness of colour. Rather, they recalled the tonalities of paintings by the Barbizon artists, and Boudin’s seascapes. He composed a range of colour based on yellow-brown or blue-grey. At the Third Impressionist Exhibition in 1877 Monet presented a series of paintings for the first time: seven views of the Saint-Lazare train station. He selected them from among twelve he had painted at the station. This motif in Monet’s work is in line not only with Manet’s Chemin de fer (The Railway) and with his own landscapes featuring trains and stations at Argenteuil, but also with a trend that surfaced after the railways first began to appear. In 1883, Monet had bought a house in the village of Giverny, near the little town of Vernon. At Giverny, series painting became one of his chief working procedures. Meadows became his permanent workplace. When a journalist, who had come from Vétheuil to interview Monet, asked him where his studio was, the painter answered, “My studio! I’ve never had a studio, and I can’t see why one would lock oneself up in a room. To draw, yes – to paint, no”. Then, broadly gesturing towards the Seine, the hills, and the silhouette of the little town, he declared, “There’s my real studio.”Monet began to go to London in the last decade of the nineteenth century. He began all his London paintings working directly from nature, but completed many of them afterwards, at Giverny. The series formed an indivisible whole, and the painter had to work on all his canvases at one time. A friend of Monet’s, the writer Octave Mirbeau, wrote that he had accomplished a miracle. With the help of colours he had succeeded in recreating on the canvas something almost impossible to capture: he was reproducing sunlight, enriching it with an infinite number of reflections. Alone among the impressionists, Claude Monet took an almost scientific study of the possibilities of colour to its limits; it is unlikely that one could have gone any further in that direction.