What Is Film Noir

What Is Film Noir  PDF
Author: William Park
Publisher: Rowman & Littlefield
ISBN: 161148362X
Size: 27.41 MB
Format: PDF, ePub, Mobi
Category : Performing Arts
Languages : en
Pages : 213
View: 4771

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What Is Film Noir? surveys the various theories of film noir, defines film noir, and explains how the genre relates to the style and the period in which noir was created. It also provides a very useful theory of genre and how it relates to film study.

The Philosophy Of Film Noir

The Philosophy of Film Noir PDF
Author: Mark T. Conard
Publisher: University Press of Kentucky
ISBN: 9780813191812
Size: 34.42 MB
Format: PDF, ePub, Docs
Category : Performing Arts
Languages : en
Pages : 248
View: 658

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From The Maltese Falcon (1941) to Touch of Evil (1958), the classic film noir is easily recognizable for its unusual lighting, sinister plots, and feeling of paranoia. For critics and fans alike, these films defined an era. The Philosophy of Film Noir explores philosophical themes and ideas inherent in classic noir and neo-noir films, establishing connections to diverse thinkers ranging from Camus to the Frankfurt School. The authors, each focusing on a different aspect of the genre, explore the philosophical underpinnings of classic films such as The Big Sleep (1946), Out of the Past (1947), and Pulp Fiction (1994). They show how existentialism and nihilism dominate the genre as they explore profound themes in a vital area of popular culture.

Film Noir

Film Noir PDF
Author: Andrew Spicer
Publisher: Routledge
ISBN: 1317875036
Size: 75.44 MB
Format: PDF, Docs
Category : Performing Arts
Languages : en
Pages : 260
View: 4503

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Film Noir is an overview of an often celebrated, but also contested, body of films. It discusses film noir as a cultural phenomenon whose history is more extensive and diverse than American black and white crime thrillers of the forties. An extended Background Chapter situates film noir within its cultural context, describing its origin in German Expressionism, French Poetic Realism and in developments within American genres, the gangster/crime thriller, horror and the Gothic romance and its possible relationship to changes in American society. Five chapters are devoted to ‘classic’ film noir (1940-59): chapters explore its contexts of production and reception, its visual style, and its narrative patterns and themes chapters on character types and star performances elucidate noir’s complex construction of gender with its weak, ambivalent males and predatory femmes fatales and also provide a detailed analysis of three noir auteurs, - Anthony Mann, Robert Siodmak and Fritz Lang Three chapters investigate ‘neo-noir’ and British film noir: chapters trace the complex evolution of ‘neo-noir’ in American cinema, from the modernist critiques of Night Moves and Taxi Driver, to the postmodern hybridity of contemporary noir including Seven, Pulp Fiction and Memento the final chapter surveys the development of British film noir, a significant and virtually unknown cinema, stretching from the thirties to Mike Hodges’ Croupier Films discussed include both little known examples and seminal works such as Double Indemnity, Scarlet Street, Kiss Me Deadly and Touch of Evil. A final section provides a guide to further reading, an extensive bibliography and a list of over 500 films referred to in the text. Lucidly written, Film Noir is an accessible, informative and stimulating introduction that will have a broad appeal to undergraduates, cinéastes, film teachers and researchers.

The Philosophy Of Film Noir

The Philosophy of Film Noir PDF
Author: Mark Conard
Publisher: University Press of Kentucky
ISBN: 0813171709
Size: 73.13 MB
Format: PDF, ePub
Category : Performing Arts
Languages : en
Pages : 264
View: 6878

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A drifter with no name and no past, driven purely by desire, is convinced by a beautiful woman to murder her husband. A hard-drinking detective down on his luck becomes involved with a gang of criminals in pursuit of a priceless artifact. The stories are at once romantic, pessimistic, filled with anxiety and a sense of alienation, and they define the essence of film noir. Noir emerged as a prominent American film genre in the early 1940s, distinguishable by its use of unusual lighting, sinister plots, mysterious characters, and dark themes. From The Maltese Falcon (1941) to Touch of Evil (1958), films from this classic period reflect an atmosphere of corruption and social decay that attracted such accomplished directors as John Huston, Alfred Hitchcock, Billy Wilder, and Orson Welles. The Philosophy of Film Noir is the first volume to focus exclusively on the philosophical underpinnings of these iconic films. Drawing on the work of diverse thinkers, from the French existentialist Albert Camus to the Frankurt school theorists Max Horkheimer and Theodor Adorno, the volume connects film noir to the philosophical questions of a modern, often nihilistic, world. Opening with an examination of what constitutes noir cinema, the book interprets the philosophical elements consistently present in the films—themes such as moral ambiguity, reason versus passion, and pessimism. The contributors to the volume also argue that the essence and elements of noir have fundamentally influenced movies outside of the traditional noir period. Neo-noir films such as Pulp Fiction (1994), Fight Club (1999), and Memento (2000) have reintroduced the genre to a contemporary audience. As they assess the concepts present in individual films, the contributors also illuminate and explore the philosophical themes that surface in popular culture. A close examination of one of the most significant artistic movements of the twentieth century, The Philosophy of Film Noir reinvigorates an intellectual discussion at the intersection of popular culture and philosophy.

Mystery Suspense Film Noir And Detective Movies On Dvd

Mystery  Suspense  Film Noir and Detective Movies on DVD PDF
Author: John Howard Reid
Publisher: Lulu.com
ISBN: 0557122236
Size: 21.63 MB
Format: PDF, Docs
Category : Performing Arts
Languages : en
Pages : 468
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Over 1,200 DVDs in the mystery, suspense and film noir categories were examined and rated for this illustrated guide. The book is divided into two main sections. In the first, 218 movies are given the glamour treatment with comprehensive details of players and crews, plus background information and reviews. In the second section, essential details on over 500 films are briefly described. Bonus articles includes a survey of "The Thin Man" series, "Sherlock Holmes," "Humphrey Bogart versus Alan Ladd," "Raymond Chandler on the Big Screen" and "The Big Clock." This book will not only prove most useful for all movie fans, but will enthrall and entertain for years to come.

The Matter Of Images

The Matter of Images PDF
Author: Richard Dyer
Publisher: Routledge
ISBN: 1135135029
Size: 68.64 MB
Format: PDF, Kindle
Category : Performing Arts
Languages : en
Pages : 184
View: 7093

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Now published in a revised second edition, The Matter of Images searches through the resonances of the term ‘representation’, analysing images in terms of why they matter, what they are made of, and the material realities they refer to. Richard Dyer’s analyses consider representations of ‘out’ groups and traditionally dominant groups alike, and encompass the eclectic texts of contemporary culture, from queers to straights, political correctness, representations of Empire and films including Gilda, Papillon and The Night of the Living Dead. Essays new to the second edition discuss Lillian Gish as the ultimate white movie star, the representation of whiteness in the South in Birth of a Nation, and society’s fascination with serial killers. The Matter of Images is distinctive in its commitment to writing politically about contemporary culture, while insisting on the importance of understanding the formal qualities and complexity of the images it investigates.

Elements Of Film Noir And Its Implementation In The Contemporary Tv Series True Detective

Elements of Film Noir and its Implementation in the Contemporary TV Series  True Detective  PDF
Author: Sarah Hofmann
Publisher: GRIN Verlag
ISBN: 3668191921
Size: 54.43 MB
Format: PDF, Docs
Category : Performing Arts
Languages : en
Pages : 12
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Seminar paper from the year 2015 in the subject Film Science, grade: 1,7, Justus-Liebig-University Giessen (Institut für Anglistik), course: Introduction to Crime Fiction, language: English, abstract: When researching for the topic of film noir, it is inevitable to stumble upon keywords like nihilism, femme fatales, post-war American life or the adjectives dark, gloomy and mysterious. But what is film noir? And why does it appear so bleak? In this term paper, film noir as a movie genre in the 1940s will be examined and applied to the contemporary TV-series "True Detective" (2014). First of all, it is important to provide a theoretical foundation. Therefore, the history of film noir and how it developed will be discussed tersely. Afterwards, the main elements that mark a film noir as film noir will be described. Themes, like nihilism or pessimism are essential parts of film noir, but so is murder and corruption. The characters are also quite dreary, there is a male victim, who gets seduced by a femme fatale and precisely that woman might be involved with the noir psychopath. Hence, themes and characters are part of this term paper. Cinematic features are not to be forgotten: the extensive use of e.g. voice-over and cut-backs is also representative. It will be explained what the features mentioned before are and how they are applied in film noir. After the theoretical foundation is made, the analysis of the HBO TV-series True Detective takes place. The choice has been made because many newspapers and articles considered True Detective as film noir and it was sapid to investigate whether this can be proven on facts or whether it is simply an assumption. After a short summary of the series, the items themes, characters and narrative strategies will be explored and applied to the film noir schema. Concluding, the aspect of neo-noir will be taken into account and the decision will be made whether True Detective can be seen as a product of film noir.

Femmes Fatales

Femmes Fatales PDF
Author: Mary Ann Doane
Publisher: Routledge
ISBN: 1136639047
Size: 31.15 MB
Format: PDF, Kindle
Category : Social Science
Languages : en
Pages : 324
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A major work of feminist film criticism examining questions of sexual difference, the female body and the female spectator through a discussion of such figures as Pabst's Lulu and Rita Hayworth's Gilda.

Reading Richard Matheson

Reading Richard Matheson PDF
Author: Cheyenne Mathews
Publisher: Rowman & Littlefield
ISBN: 1442234660
Size: 69.81 MB
Format: PDF, Kindle
Category : Literary Criticism
Languages : en
Pages : 262
View: 3907

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Richard Matheson (1926-2013) was a prolific author and screenwriter whose career of more than 60 years has shaped the horror and fantasy genres in literature, film, and television. This volume examines seven of Matheson’s full-length novels, a sampling of short stories, and several film adaptations. The chapters, which are arranged in three thematic sections, emphasize Matheson’s historical prominence, consider his precursors and successors, and situate him within narrative traditions of mythology, cinema, genre, and memory studies.

Cinemas Of The World

Cinemas of the World PDF
Author: James Chapman
Publisher: Reaktion Books
ISBN: 1861895747
Size: 11.86 MB
Format: PDF, ePub, Mobi
Category : Performing Arts
Languages : en
Pages : 480
View: 3815

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The cinema has been the pre-eminent popular art form of the 20th century. In Cinemas of the World, James Chapman examines the relationship between film and society in the modern world: film as entertainment medium, film as a reflection of national cultures and preoccupations, film as an instrument of propaganda. He also explores two interrelated issues that have recurred throughout the history of cinema: the economic and cultural hegemony of Hollywood on the one hand, and, on the other, the attempts of film-makers elsewhere to establish indigenous national cinemas drawing on their own cultures and societies. Chapman examines the rise to dominance of Hollywood cinema in the silent and early sound periods. He discusses the characteristic themes of American movies from the Depression to the end of the Cold War especially those found in the western and film noir – genres that are often used as vehicles for exploring issues central to us society and politics. He looks at national cinemas in various European countries in the period between the end of the First World War and the end of the Second, which all exhibit the formal and aesthetic properties of modernism. The emergence of the so-called "new cinemas" of Europe and the wider world since 1960 are also explored. "Chapman is a tough-thinking, original writer . . . an engaging, excellent piece of work."—David Lancaster, Film and History

Shades Of Noir

Shades of Noir PDF
Author: Joan Copjec
Publisher: Verso
ISBN: 9780860916253
Size: 33.99 MB
Format: PDF, Docs
Category : Performing Arts
Languages : en
Pages : 300
View: 1897

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These essays examine "film noir" in the light of contemporary social and political concerns, attempting to move beyond the views of the early French critics. Topics range from the re-emergence of "noir" in films such as "Bladerunner", to the relations between the sexes and the role of women.

Film Noir

Film Noir PDF
Author: Bruce Crowther
Publisher: Random House
ISBN: 0753546078
Size: 18.51 MB
Format: PDF, Kindle
Category : Performing Arts
Languages : en
Pages : 192
View: 701

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With the advent of the Second World War a new mood was discernible in film drama - an atmosphere of disillusion and a sense of foreboding, a dark quality that derived as much from the characters depicted as from the cinematographer's art. These films, among them such classics as Double Indemnity, The Woman in the Window, Touch of Evil and sunset Boulevard, emerged retrospectively as a genre in themselves when a French film critic referred to them collectively as film noir. Bruce Crowther looks into noir's literary origins (often in the novels of the so-called 'hard-boiled' school typified by Raymond Chandler, Dashiell Hammett and Cornell Woolrich), and at how the material translated to the screen, noting in particular influences from German expressionist films and the almost indispensable techniques of flashback and voice-over narration. He also assesses the contribution made by the players - by actors such as Robert Mitchum, Dick Powell, Alan Ladd and John Garfield and actresses such as Barbara Stanwyck, Lizabeth Scott, Joan Crawford and Gloria Grahame, together with a roll-call of supporting players whose screen presence could lend almost any film the noir imprimatur. Noir was in its heyday from 1945 to 1955, a time when paranoia and disillusion, anxiety and violence could be said to have been part of the fabric of American, and particularly Hollywood, society, yet its impact and its influence are with us still - in films as diverse as The French Connection, Chinatown and Body Heat. This Book commemorates a special period in film-making and a unique combination of talent resulting in a spectrum of films that are as welcome today on their small-screen airings as they were when first shown in cinema.

Cinema Of Outsiders

Cinema of Outsiders PDF
Author: Emanuel Levy
Publisher: NYU Press
ISBN: 0814752896
Size: 28.46 MB
Format: PDF, ePub, Mobi
Category : Social Science
Languages : en
Pages : 601
View: 6165

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A Los Angeles Times Bestseller The most important development in American culture of the last two decades is the emergence of independent cinema as a viable alternative to Hollywood. Indeed, while Hollywood's studios devote much of their time and energy to churning out big-budget, star-studded event movies, a renegade independent cinema that challenges mainstream fare continues to flourish with strong critical support and loyal audiences. Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarentino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style. Documenting the socio-economic, political and artistic forces that led to the rise of American independent film, Cinema of Outsiders depicts the pivotal role of indie guru Robert Redford and his Sundance Film Festival in creating a showcase for indies, the function of film schools in supplying talent, and the continuous tension between indies and Hollywood as two distinct industries with their own structure, finance, talent and audience. Levy describes the major cycles in the indie film movement: regional cinema, the New York school of film, African-American, Asian American, gay and lesbian, and movies made by women. Based on exhaustive research of over 1,000 movies made between 1977 and 1999, Levy evaluates some 200 quintessential indies, including Choose Me, Stranger Than Paradise, Blood Simple, Blue Velvet, Desperately Seeking Susan, Slacker, Poison, Reservoir Dogs, Gas Food Lodging, Menace II Society, Clerks, In the Company of Men, Chasing Amy, The Apostle, The Opposite of Sex, and Happiness. Cinema of Outsiders reveals the artistic and political impact of bold and provocative independent movies in displaying the cinema of "outsiders"-the cinema of the "other America."