Iconoclasm In Aesthetics

Iconoclasm in Aesthetics PDF
Author: Michael Kelly
Publisher: Cambridge University Press
ISBN: 9780521822091
Size: 71.89 MB
Format: PDF, Mobi
Category : Philosophy
Languages : en
Pages : 222
View: 860

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Discusses the work of four influential philosophers of art: Heidegger, Adorno, Derrida, and Danto.

Medieval Aesthetics

Medieval Aesthetics PDF
Author: C. Barrett
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110808226
Size: 67.49 MB
Format: PDF
Category : Philosophy
Languages : en
Pages : 322
View: 2829

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This three volume set is a comprehensive account of the development of European aesthetics from the time of the ancient Greeks to the 1700s. This second volume focuses on eastern and western aesthetics in the Middle Ages.

Art History Versus Aesthetics

Art History Versus Aesthetics PDF
Author: James Elkins
Publisher: Routledge
ISBN: 113550699X
Size: 73.35 MB
Format: PDF, Mobi
Category : Art
Languages : en
Pages : 320
View: 4243

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In this unprecedented collection, over twenty of the world's most prominent thinkers on the subject including Arthur Danto, Stephen Melville, Wendy Steiner, Alexander Nehamas, and Jay Bernstein ponder the disconnect between these two disciplines. The volume has a radically innovative structure: it begins with introductions, and centres on an animated conversation among ten historians and aestheticians. That conversation was then sent to twenty scholars for commentary and their responses are very diverse: some are informal letters and others full essays with footnotes. Some think they have the answer in hand, and others raise yet more questions. The volume ends with two synoptic essays, one by a prominent aesthetician and the other by a literary critic. This stimulating inaugural volume in the Routledge The Art Seminar series presents not one but many answers to the question; Does philosophy have anything to say to art history?

Iconoclasm

Iconoclasm PDF
Author: Rachel F. Stapleton
Publisher: McGill-Queen's Press - MQUP
ISBN: 077355839X
Size: 16.36 MB
Format: PDF, Docs
Category : Social Science
Languages : en
Pages : 223
View: 3937

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Iconoclasm – the alteration, destruction, or displacement of icons – is usually considered taboo or profane. But, on occasion, the act of destroying the sacred unintentionally bestows iconic status on the desecrated object. Iconoclasm examines the reciprocity between the building and the breaking of images, paying special attention to the constructive power of destructive acts. Although iconoclasm carries with it inherently religious connotations, this volume examines the shattering of images beyond the spiritual and the sacred. Presenting responses to renowned cultural anthropologist and theorist Michael Taussig, these essays centre on conceptual iconoclasm and explore the sacrality of objects and belief systems from historical, cultural, and disciplinary perspectives. From Milton and Nietzsche to Paul Newman and Banksy, through such diverse media and genres as photography, the popular romance novel, pornography, graffiti, cinema, advertising, and the dictionary, this book questions how icons and iconoclasms are represented, the language used to describe them, and the manner in which objects signify once they are shattered. An interdisciplinary, disconnected, and non-linear consideration of the historical and contemporary relationship between the sacred and the profane, Iconoclasm disrupts entrenched views about the revered or reviled idols present in most aspects of daily life. Contributors include T. Nikki Cesare Schotzko (Toronto), Christopher van Ginhoven Rey (Pomona College), Helen Hester (West London), Emily Hoffman (Arkansas Tech), Natalie B. Pendergast (Yukon College), Beth Saunders (Maryland), Adam Swann (Glasgow), Michael Taussig (Columbia), Angela Toscano (Iowa), Brendon Wocke (Perpignan).

Aesthetics And Theurgy In Byzantium

Aesthetics and Theurgy in Byzantium PDF
Author: Sergei Mariev
Publisher: Walter de Gruyter
ISBN: 1614512612
Size: 51.32 MB
Format: PDF
Category : Philosophy
Languages : en
Pages : 246
View: 3696

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The general scope of the present volume is to present a variety of approaches and topics within the growing field of research on Byzantine aesthetics. Theurgy in Neoplatonic and Christian contexts is represented by the contributions of W.-M. Stock and L. Bergemann; theories of beauty are at the centre of interest of the papers by S. Mariev and M. Marchetto. A. Pizzone approaches Byzantine aesthetics by looking for aesthetic experience in the literary texts, while the remaining contributions explore issues related to the iconoclast controversy: An important moment in the development of Byzantine philosophy on the eve of iconoclasm is the primary interest of A. del Campo Echevarría, who looks at the question of universals in John of Damaskos. The relationship between image and text in Byzantine illustrated manuscripts occupies the attention of B. Crostini. D. Afinogenov explores from a philological perspective the fate of important iconophile terminology in Old Bulgarian, while L. Lukhovitskij reconstructs from historical and philological perspectives the historical memory of the iconoclast controversy during the Late Byzantine Period.

Striking Images Iconoclasms Past And Present

Striking Images  Iconoclasms Past and Present PDF
Author: Stacy Boldrick
Publisher: Routledge
ISBN: 9781472413673
Size: 25.86 MB
Format: PDF, ePub
Category : Art
Languages : en
Pages : 236
View: 231

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All cultures make, and break, images. Striking Images, Iconoclasms Past and Present explores how and why people have made and modified images and other cultural material from pre-history into the 21st century. With its impressive chronological sweep and disciplinary breadth, this is the first book about iconoclasm (the breaking of images) and the transformation of broader sets of signs that includes contributions from archaeologists, curators, and museum conservators as well as historians of art, literature and religious studies. The chapters examine themes critical to the study of iconoclasm: violence, punishment, memory, intentionality, ruins and relics and their survival. The conclusion shows how cross-disciplinary debate amongst the contributors informed Tate Britain's 'Art under Attack' exhibition (2013) and addresses the challenges iconoclasm presents to the modern museum. By juxtaposing objects and places usually considered in isolation, Striking Images raises provocative questions about our understandings of cross-cultural differences and the value of representational objects from the broken swords of pre-historical bog graves to the Bamiyan Buddhas and contemporary art. Are any such objects ever 'finished', or are they simply subject to constant transformation? In dialogue with each other, the essays consider this question and expand the field of iconoclasm - and cultural - studies.

Aesthetics As A Religious Factor In Eastern And Western Christianity

Aesthetics as a Religious Factor in Eastern and Western Christianity PDF
Author: William Peter van den Bercken
Publisher: Peeters Publishers
ISBN: 9789042916821
Size: 65.55 MB
Format: PDF, ePub
Category : Philosophy
Languages : en
Pages : 443
View: 5737

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This volume contains selected papers of a conference in 2004 at Utrecht University on aesthetics as a religious factor in Eastern and Western Christianity. They discuss the role of aesthetics in the presentation and expression of Christian faith in Catholic and Orthodox tradition. During its history Christianity has produced many works of art: church architecture, iconography, painting, music and literary texts. And in Orthodoxy beauty has always been the main form of religious expression, more than verbal presentation of Christian teaching, which is embedded in the aesthetic context of liturgy. In Christian theology beauty has often been seen as a form of divine revelation, related to the mystery of incarnation. The relation between aesthetics and religious belief has acquired new relevance in our secularised world. Today the visible products of Catholic and Orthodox aesthetics are for many people the main means through which they come into contact with Christianity and many people without affinity to religion are attracted by the beauty of Christian art, inside and outside the church. In modern religious studies the experience of beauty is recognised as a factor in explaining religious feelings. The papers are divided in four sections: 1. Comparative aspects of Orthodox and Catholic aesthetics, 2. Religious aesthetics in Russian literary culture, 3. Applied aesthetics in church art, 4. Art-theoretical, ideological and religious-philosophical aspects.

The Destruction Of Art

The Destruction of Art PDF
Author: Dario Gamboni
Publisher: Reaktion Books
ISBN: 1780231547
Size: 68.34 MB
Format: PDF, Docs
Category : Art
Languages : en
Pages : 416
View: 510

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Last winter, a man tried to break Marcel Duchamp’s Fountain sculpture. The sculpted foot of Michelangelo’s David was damaged in 1991 by a purportedly mentally ill artist. With each incident, intellectuals must confront the unsettling dynamic between destruction and art. Renowned art historian Dario Gamboni is the first to tackle this weighty issue in depth, exploring specters of censorship, iconoclasm, and vandalism that surround such acts. Gamboni uncovers here a disquieting phenomenon that still thrives today worldwide. As he demonstrates through analyses of incidents occurring in nineteenth- and twentieth-century America and Europe, a complex relationship exists among the evolution of modern art, destruction of artworks, and the long history of iconoclasm. From the controversial removal of Richard Serra’s Tilted Arc from New York City’s Federal Plaza to suffragette protests at London’s National Gallery, Gamboni probes the concept of artist’s rights, the power of political protest and how iconoclasm sheds light on society’s relationship to art and material culture. Compelling and thought-provoking, The Destruction of Art forces us to rethink the ways that we interact with art and react to its power to shock or subdue.

The Modern Schoolman

The Modern Schoolman PDF
Author:
Publisher:
ISBN:
Size: 22.37 MB
Format: PDF, Mobi
Category : Philosophy
Languages : en
Pages :
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The Aesthetic Turn In Political Thought

The Aesthetic Turn in Political Thought PDF
Author: Nikolas Kompridis
Publisher: Bloomsbury Publishing USA
ISBN: 144118516X
Size: 72.80 MB
Format: PDF, Docs
Category : Political Science
Languages : en
Pages : 320
View: 1467

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The growing exploration of political life from an aesthetic perspective has become so prominent that we must now speak of an “aesthetic turn” in political thought. But what does it mean and what makes it an aesthetic turn? Why now? This diverse and path-breaking collection of essays answers these questions, provoking new ways to think about the possibilities and debilities of democratic politics. Beginning from the premise that politics is already “aesthetic in principle,” the contributions to The Aesthetic Turn in Political Thought from some of the world's leading political theorists and philosophers, disclose a distinct set of political problems: the aesthetic problems of modern politics. The aesthetic turn in political thought not only recognizes that these problems are different in kind from the standard problems of politics, it also recognizes that they call for a different kind of theorizing – a theorizing that is itself aesthetic. A major contribution to contemporary theoretical debates, The Aesthetic Turn in Political Thought will be essential reading to anyone interested in the interdisciplinary crossroads of aesthetic and politics.

The Transformation Of The Avant Garde

The Transformation of the Avant Garde PDF
Author: Diana Crane
Publisher: University of Chicago Press
ISBN: 9780226117904
Size: 51.81 MB
Format: PDF, Docs
Category : Art
Languages : en
Pages : 194
View: 7019

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Discusses the social aspects of art, popular culture as art, galleries, museums, and the meaning of art

Monuments And Memory Made And Unmade

Monuments and Memory  Made and Unmade PDF
Author: Robert S. Nelson
Publisher: University of Chicago Press
ISBN: 9780226571577
Size: 69.61 MB
Format: PDF, ePub, Docs
Category : Art
Languages : en
Pages : 345
View: 4274

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How do some monuments become so socially powerful that people seek to destroy them? After ignoring monuments for years, why must we now commemorate public trauma, but not triumph, with a monument? To explore these and other questions, Robert S. Nelson and Margaret Olin assembled essays from leading scholars about how monuments have functioned throughout the world and how globalization has challenged Western notions of the "monument." Examining how monuments preserve memory, these essays demonstrate how phenomena as diverse as ancient drum towers in China and ritual whale-killings in the Pacific Northwest serve to represent and negotiate time. Connecting that history to the present with an epilogue on the World Trade Center, Monuments and Memory, Made and Unmade is pertinent not only for art historians but for anyone interested in the turbulent history of monuments—a history that is still very much with us today. Contributors: Stephen Bann, Jonathan Bordo, Julia Bryan-Wilson, Jas Elsner, Tapati Guha-Thakurta, Robert S. Nelson, Margaret Olin, Ruth B. Phillips, Mitchell Schwarzer, Lillian Lan-ying Tseng, Richard Wittman, Wu Hung

Baudelaire S Media Aesthetics

Baudelaire s Media Aesthetics PDF
Author: Marit Grøtta
Publisher: Bloomsbury Publishing USA
ISBN: 1628924411
Size: 57.30 MB
Format: PDF, ePub
Category : Literary Criticism
Languages : en
Pages : 192
View: 7242

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Baudelaire's Media Aesthetics situates Charles Baudelaire in the midst of 19th-century media culture. It offers a thorough study of the role of newspapers, photography, and precinematic devices in Baudelaire's writings, while also discussing the cultural history of these media generally. The book reveals that Baudelaire was not merely inspired by the new media, but that he played with them, using them as frames of perception and ways of experiencing the world. His writings demonstrate how different media respond to one another and how the conventions of one medium can be paraphrased in another medium. Accordingly, Baudelaire's Media Aesthetics argues that Baudelaire should be seen merely as an advocate of “pure poetry,” but as a poet in a media saturated environment. It shows that mediation, montage, and movement are features that are central to Baudelaire's aesthetics and that his modernist aesthetics can be conceived of, to a large degree, as a media aesthetics. Highlighting Baudelaire's interaction with the media of his age, Baudelaire's Media Aesthetics discusses the ways in which we respond to new media technology, drawing on perspectives from Walter Benjamin and Giorgio Agamben. Combining detailed research with contemporary theory, the book opens up new perspectives on Baudelaire's writings, the figure of the flâneur, and modernist aesthetics.